From 2005 to 2021, a series of high-profile street art exploits remained anonymous, requiring the public to identify an artist who had not signed his works at the time. He adopted an »unnamed name«: Name:, the first line of a bureaucratic form or an official’s question following identification of the subject before him. His works are conceptually based on the treatment and issues (“evil”) associated with the use of public space and the environment, with a focus on current social change. Simultaneously, he investigates the techniques and physical limitations of interventions in public space. It is possible to say that he conquers various aggregate states of graffiti culture.

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